Oil painting on hardboard, tuscan woodland landscape, claudio da firenze
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- Dimensions :
- H75 x W85 x D3
- Color :
- multicolour
- Material :
- wood
- Style :
- classic
Beautiful oil on hardboard from the 70s - author claudius of florence (claudio domenici)- title the forest signed on the painting and on the back - frame with glass- size frame 80x60 painted 85x75 painted 70x60. Claudio domenici was born in florence in 1943. Son of art - his father carlo domenici was one of the most illustrious exponents of the labronica school of the twentieth century, or rather of that group of macchiaioli artists who between 1900 and 1950 experienced great artistic and professional maturity - he assumed the pseudonym "claudio da firenze ” precisely to distinguish himself from the famous parent his first teacher, the one who fully understanding his talents for drawing and painting finally encouraged him to take this artistic path. Therefore, after attending the art institute of florence and the school of graphic art, and having experimented with interest as an advertising poster and graphic designer, he began his career by participating with considerable success in his first exhibitions and competitions. Claudio was and is a free spirit. His artistic training, his gradual evolution, have evident roots in his innate spirit of "traveller" which led him from a young age to live intensely in different places, savoring the different colors and moods and then transferring their thousand facets to the table. Since 1968, countless exhibitions in which he has participated both in italy and abroad. Among the most important, we recall the personal exhibitions of the spanish period, held in madrid, barcelona, gerona and lloret de mar; as well as those organized in the states, in los angeles, in san francisco, in new york, at the zantman gallery in palm desert or carmel, where claudio's paintings are exhibited permanently; finally london and lausanne. Claudio's favorite subjects are life scenes. All of them, whether they belong to the countryside or the sea, it doesn't matter, what matters is the possibility that they can be observed and "lived", in an attempt t.
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